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<channel>
	<title>The Mechanical Tales</title>
	<link>https://themechanicaltales.com</link>
	<description>The Mechanical Tales</description>
	<pubDate>Thu, 20 Jun 2019 07:41:04 +0000</pubDate>
	<generator>https://themechanicaltales.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Home</title>
				
		<link>https://themechanicaltales.com/Home</link>

		<pubDate>Mon, 27 May 2019 14:12:20 +0000</pubDate>

		<dc:creator>The Mechanical Tales</dc:creator>

		<guid isPermaLink="true">https://themechanicaltales.com/Home</guid>

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		<title>About</title>
				
		<link>https://themechanicaltales.com/About</link>

		<pubDate>Mon, 27 May 2019 14:12:20 +0000</pubDate>

		<dc:creator>The Mechanical Tales</dc:creator>

		<guid isPermaLink="true">https://themechanicaltales.com/About</guid>

		<description>About


The Mechanical Tales are Juliette, Lux and Lloyd Sinatra. 
The trio is based in Udine (IT), the so-called capital of the war, and plays cinematic music with post-atomic vibes. 
Being involved for many years in the italian experimental music scene with other bands, they decide to create a new musical project in 2012. 

 As the soundtrack on the cinematographic film does, they work closely with the video medium through the collaboration with several visual artists. 
In 2014 they meet Eleonora Sovrani, a videoartist whose focus lies in the relationship between visual language, social dynamics and artistic practice. This close collaboration gives birth to many performative, intermedial, audiovisual live pieces, installations, some touring across Europe, and two LPs: Iceberg (October 2015, self-released) and About Fallout (February 2017, self-released). 

They produce and release their albums, promote their works and organize their tours across Europe indipendently, with a DIY approach.From October 2015 to August 2017 they curated the musical review VISI(ON)AIR in the Visionario cinema in Udine. 


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	<item>
		<title>Contact</title>
				
		<link>https://themechanicaltales.com/Contact</link>

		<pubDate>Mon, 17 Jun 2019 20:24:25 +0000</pubDate>

		<dc:creator>The Mechanical Tales</dc:creator>

		<guid isPermaLink="true">https://themechanicaltales.com/Contact</guid>

		<description>Contact

For all inquiries: themechanicaltales@gmail.com
Follow us on bandcamp:&#38;nbsp;https://themechanicaltales.bandcamp.com/
Ignore social media icons below :)</description>
		
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	<item>
		<title>Once de sogno</title>
				
		<link>https://themechanicaltales.com/Once-de-sogno</link>

		<pubDate>Mon, 27 May 2019 14:12:20 +0000</pubDate>

		<dc:creator>The Mechanical Tales</dc:creator>

		<guid isPermaLink="true">https://themechanicaltales.com/Once-de-sogno</guid>

		<description>
Once de sogno



Visual and sound research are intertwined, giving rise to a performance to rediscover the places of Contrada Antenore in Padua, which are shot and projected in live streaming on the notes of the live concert. A journey made of sounds and moving images that develop simultaneously, starting from a familiar atmosphere to lead us into a dematerialized and dreamlike dimension.

The performance by The Mechanical Tales and Eleonora Sovrani has been created in occasion of “Innesti Urbani” festival and presented at “The Last Tycoon” club in Padua in spring 2015.


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</description>
		
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	<item>
		<title>RI / RS</title>
				
		<link>https://themechanicaltales.com/RI-RS</link>

		<pubDate>Mon, 27 May 2019 14:12:21 +0000</pubDate>

		<dc:creator>The Mechanical Tales</dc:creator>

		<guid isPermaLink="true">https://themechanicaltales.com/RI-RS</guid>

		<description>



RI / RS




Similar landscapes are mirrored on both sides of the border. Places deprived of their former function as crossing border areas reveal their total alienation to the context in which they are located. The landscape is investigated through its inhabitants and the perceived boundaries.

RI / RS has been conceived as audio-video performance and multi-site exhibition in occasion of the festival &#38;nbsp;“Valli del Natisone - Through Landscape", which took place in 2016 on the Italian-Slovenian border.





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		<title>About Fallout</title>
				
		<link>https://themechanicaltales.com/About-Fallout</link>

		<pubDate>Mon, 27 May 2019 14:12:21 +0000</pubDate>

		<dc:creator>The Mechanical Tales</dc:creator>

		<guid isPermaLink="true">https://themechanicaltales.com/About-Fallout</guid>

		<description>



About Fallout













About Fallout is a 1955 documentary, which was revised and expanded in 1963 by the
Department of Defence of the United States to spread in an optimistic view of civil defence counter-measures to be put into effect in case of nuclear attack.

About Fallout is also the name of The Mechanical Tales’ audio-visual performance that aims to trace a continuous round-trip motion through the paradoxes that permeate human relationships, social structures, the no man's land and the borders.

 The project has been conceived for the )Bandus( festival which took place at the former barracks Osoppo in December 2015 and then presented in various occasions and locations as the Visionario cinema in Udine and many clubs in Europe.




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		<title>Name of State</title>
				
		<link>https://themechanicaltales.com/Name-of-State</link>

		<pubDate>Mon, 27 May 2019 14:26:11 +0000</pubDate>

		<dc:creator>The Mechanical Tales</dc:creator>

		<guid isPermaLink="true">https://themechanicaltales.com/Name-of-State</guid>

		<description>



Name of State


With the Schengen&#38;nbsp;Agreement, the barriers between the European states have been removed.The customhouses loose their function, and often become abandoned ruins, recalling personal and collective memories, with historical, economical, political nature.Placed into the same natural landscapes and almost symmetrical on the two border-sides, these constructions seem to be helpless towards nature.Paradoxically, on one hand the old barriers have been erased in order to accelerate the movement of the European citizens, responding to the globalized world’s ambitions, but on the other hand, dramatically concrete barriers raise again, to reject people who don’t have the same status.Beyond these boundaries, the invisible ones expand: control-technologies are used to track presence and movement of people, some other, unpredictable and unstable, are fed by the fear of the other.

Like political borders, traced from above with arrogant abstraction, they have the power to exclude, reject, and deny the citizenship right.
Performed by The Mechanical Tales through Europe in 2015 - 2016, in parallel with

 the Red Line action.

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		<title>Red line</title>
				
		<link>https://themechanicaltales.com/Red-line</link>

		<pubDate>Thu, 20 Jun 2019 07:41:04 +0000</pubDate>

		<dc:creator>The Mechanical Tales</dc:creator>

		<guid isPermaLink="true">https://themechanicaltales.com/Red-line</guid>

		<description>



Red line




Like drones, surveillance cameras around the city have the ability to work unnoticed: the passer is mostly filmed unaware and becomes a passive object in the image. Sometimes the images of these webcams are shared online and thus potentially visible to all users of the network.These actions, starting from 2015 to nowadays, aim to put in evidence virtual spaces, mediatised by online cameras around many cities in Europe, by tracing a red line on the correspondent physical spaces.


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	<item>
		<title>Grandi Guerre</title>
				
		<link>https://themechanicaltales.com/Grandi-Guerre</link>

		<pubDate>Mon, 27 May 2019 14:25:36 +0000</pubDate>

		<dc:creator>The Mechanical Tales</dc:creator>

		<guid isPermaLink="true">https://themechanicaltales.com/Grandi-Guerre</guid>

		<description>



Grandi Guerre




The audio-visual installation located in the main Parliament hall of the Udine Castle, is inspired by its frescoes, in which Pomponio Amalteo celebrates the Venetian troops moving against the Turks in the mid 1500s and by the leporello “The Great War: July 1, 1916: The First Day of the Battle of the Somme: An Illustrated Panorama” of the cartoonist and journalist Joe Sacco.

The 7-metre-long Leporello illustrates the first day of the Battle of the Somme: a work that embodies the madness of the First World War, in which thousands of soldiers died.

A multitude that becomes "a single organism, composed of hundreds of thousands of mostly enthusiastic men, engaged in opening a road to transport a large portion of itself along a trampoline suspended over the future and advancing towards objectives set according to a predetermined program". (Joe Sacco).

The installation was conceived as an introduction to the exhibition L'offensiva di carta, presented at the Udine Castle in April 2017. In addition to the audio-visual installation, for the occasion The Mechanical Tales conceived a sound spatialization along the path of the exhibition and several audio-visual interventions.



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		<title>Naši zvoni</title>
				
		<link>https://themechanicaltales.com/Nasi-zvoni</link>

		<pubDate>Mon, 27 May 2019 14:44:37 +0000</pubDate>

		<dc:creator>The Mechanical Tales</dc:creator>

		<guid isPermaLink="true">https://themechanicaltales.com/Nasi-zvoni</guid>

		<description>






NAŠI ZVONI

An underground exploration


The Cave of San Giovanni d'Antro is the place of the encounter between the traditional choir Nediški Puobi and the The Mechanical Tales.

The performance spreads from several locations in the cave, which come to meet and merge during its development, when the viewer is invited to explore freely the space.

The cave’s morphology recalls the constellation of Cancer, which recalls the form of the mother's womb, and symbolizes the wave of time, the renewal of life.

The two images projected during the performance in two different locations connect two evolving realities and two inverse movements: the forest advancing together with depopulation and a new a community that finds space far from its place of origin. Spontaneous singing is the bridge between them.


The performance tells the story of the encounter between the spontaneous singers of Nediški Puobi from Cicigolis, the band The Mechanical Tales and was presented at the Grotta di San Giovanni d'Antro during the festival "Valli del Natisone-Through Landscape" in September 2017.&#38;nbsp;

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